Welcome to a journey that explores the intricacies and complexities of the human condition. In this cinematic journey, we delve into the human psyche and explore the depths of human emotions. From the emotionally charged drama of “The Secret in Their Eyes” to the haunting and powerful tale of war and loss in “Incendies.” And the unsettling and disturbing exploration of identity in “The Skin I Live In,” these best thriller movies offer a unique and thought-provoking insight into the human experience.
Each film takes us on a journey through the human psyche, exploring themes of love, loss, trauma, and the struggle for identity. With powerful performances and masterful direction, these films challenge us to confront our own emotions. And explore the complexities of the human experience. So, join us on this journey as we explore the depth and complexity of human emotions. In these best thriller movies “The Secret in Their Eyes,” “Incendies,” and “The Skin I Live In.”
The Secret in Their Eyes (2009)
‘Secret in His Eyes’ has a stellar and rather helpless Hollywood remake. But you need to watch the Argentine version – much more inexpensive and at the same time more impressive. The story of federal agent Esposito begins with his visit to a former colleague, Judge Menendez. With whom they tried to solve a high-profile murder case in the mid-70s. And in the process of investigation, they imbued each other. Then Menendez was engaged, and the mutual sympathy that ended in nothing still prevails on both. Esposito is now writing a book about that murder and is meeting with Menendez to ask for her help. In 1974, the brutally murdered girl Liliana Koloto left behind only an inconsolable father. While unscrupulous investigators are trying to hang a term on random people. The agent conducts an alternative investigation, finding a long-term temperamental admirer in the beautiful Liliana.
A Middle Eastern epic about lost youth and a family secret with the most terrifying ending ever. After the mother’s funeral, the brother and sister receive from the lawyer a will and a letter with the last will of the deceased. In it she talks about the father, whom they never met, and the brother that they have. Asking them to give each a message in an envelope. While the brother decides that the past belongs in the past. However, The sister decides to find out about her mother’s roots and travels to her homeland in the Middle East.
There she finds out how her mother participated in the student and women’s liberation movement and ended up in prison when the fundamentalists got power. “Fires”, based on the play by a playwright with Lebanese roots. It is one of the most accurate films about the senselessness of looking for extreme ones in local wars. This is about fused families and broken destinies, in which it is impossible to separate insiders from outsiders, and the guilty from the innocent. It was after Fires that Villeneuve gained momentum and eventually turned into a man with carte blanche in Hollywood and a sequel. “Blade Runner” in the list of achievements. It is all the more interesting to watch how the compact story of a tortured woman grows in his performance to a global pacifist manifesto.
The Skin I Live In (2011)
Almodovar’s obligatory tabloid thriller with a wink at all the greats, most notably Hitchcock and the French thriller Eyes Without a Face. Robert Ledgard is a plastic surgeon, infinitely unhappy in his personal life and just as brilliant in his work. In his remote estate, under the supervision of servants, lives Vera – a prisoner and the main object of his experiments to test super-resistant synthetic leather. Faith, with perfect proportions and face shape, lives in a closed room from the comfort of a mansion. While a traumatized doctor who has lost his wife and daughter comes up with a plan to save humanity. The Freudian film Beyond Camp revolves around the relationship of creator and object, revenge and memory, like the best dramas of Almodovar. But this time shamelessly exploits the main thriller clichés, counting on the groans of surprise in the audience.
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